
About this artist

French illustrator Camille de Cussac lives in colour — clothes, rooms, felt-tips on the road. Brecht Evens and Ingela P. Arrhenius in the mix; KO à Cuba, an American boxer and a sausage dog named Pedrolito. Granada’s cave houses and the Alhambra stay in the pictures. Historical portraits too. The colour is a way of living.

YooshiQ's Note
Camille de Cussac's pictures arrive like a vitamin: colour as a way of living, not only a job. It is on her clothes and in the rooms. Palettes chosen on instinct, characters in hues that refuse a rulebook.
Her artistic journey began with felt-tip pens, a medium chosen for their convenience and portability, allowing Camille to capture inspiration on the go. This love for travel and the freedom it offers is mirrored in her art, which often incorporates themes of exploration and discovery. Her unique style has been shaped by a diverse array of influences, from the compositional approach of Brecht Evens to the whimsical animal illustrations of Ingela P. Arrhenius.
Camille's work is a theatrical homage to the past, drawing inspiration from historical portraits and old-world charm. Her admiration for the gypsy quarter in Granada and the cave houses of the Alhambra hint at a deep-seated appreciation for cultures steeped in history.
Her recent comic, "KO à Cuba," tells the story of an American boxer and his life-changing encounter with a sausage dog named Pedrolito. The tale is typical of how she works: as engaging as it is visually generous.
Camille de Cussac's art is a window onto colour, history, and wanderlust, meeting on the same page. The work keeps moving, and the excitement of that journey stays in the pictures.

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