

Ruslan Golovko left Kharkiv’s Faculty of Physics for pictures of fractals and invented animals. He now makes neuroart and neuroanimation, and runs a Telegram channel where cognitive science sits beside the drawings he cannot stop making at night. Look at the invented animal first; the proof wanted a face.
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About this artist
Ruslan Golovko trained in physics in Kharkiv, Ukraine, then spent his working life on images that behave like weather systems: fractals, non-linear structures, animals that never had to evolve in any catalogued forest. The science degree did not disappear into a fun fact on a biography page. It simply stopped pretending it was the entire story of what he wanted to look at for the rest of the afternoon.
He now works across graphic design, illustration, neuroart, and neuroanimation. Beside the pictures he curates a Telegram channel on contemporary art, integral philosophy, and cognitive science, a room more than a shop window, where the same questions keep returning in different clothes. How does a mind recognize a pattern. When does a pattern start to feel like a creature looking back across the glass.
Golovko is easiest to meet if you stop asking whether the work is art or research and look at the invented animal first. Then notice it is built with the patience of a proof, and that the proof, after all that care, still wanted a face.
The channel is useful for the same reason. It does not ask you to pick a discipline before you are allowed to be curious. A drawing sits next to a note on cognition, and neither one apologizes. If you come for the alien creature, you may leave thinking about how a brain decides something is alive. If you come for the science, you may leave with a face you cannot quite forget on the way home.

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